Telecommunication

Azymuth plugged in harder here than on their earlier records, and the synth work on the title cut is the reason. Ivan Conti's drumming never overplays — he lets the groove breathe while Jose Roberto Bertrami's keys do all the talking. If you know them from "Jazz Carnival" this is the record where they got weirder and better.

Filed underbrazilian jazz-funksynthsdrumsgroove