Infinite Possibilities

Larrieux wrote, produced, and arranged most of this herself, and the control shows — the record has a consistent intimacy that a lot of neo soul from this period couldn't quite sustain. Her voice is the main instrument and the production stays under it rather than competing for space. Acoustic bass, live drums, and restrained keys keep things grounded. 'Get Up' and 'Infinite Possibilities' the title track demonstrate the range pretty well.

Filed underneo soulR&Blive instrumentationvocals